Johns-Art
I have been painting for over 50 years and hope to expand my group of viewers to that wide world out there. Thanks for looking and I will be adding work to this site on a regular basis. As you scroll through the paintings you will find landscapes,abstracts, seascapes, tropical, still-life and more in no particular order. I have painted over 200 paintings over the years from the first one that I painted on a beach on Oahu in 1953.
Tuesday, January 29, 2008
Sunday, January 27, 2008
Quiet Harbor
A large tranquil airbrush painting. The boats are home for the night.
Boats and the sea have been a large part of my life. I have crossed the Pacific six times and have logged over 100,000 miles at sea on a US Navy Destroyer (USS TAYLOR DDE 468).
I have owned sailboats from 8 feet long, that I had built myself, to a 37 foot steel cutter built in Holland.
I had owed two Marinas in Mystic, Connecticut from 1971 to 1986.
The sea enchants; it is never the same twice.
Kites
For those of you who have read "The DaVinci Code" this acrylic painting is based on the Fibonacci series.
What appears to be a casual painting of kites is an extremely complex mathematical representation.
Leonardo Fibonacci, or Leonardo of Pisa (1170?-1240?), was an Italian mathematician who established a series of numbers such that each successive number was the sum of the previous two. The series is: 0,1,1,2,3,5,8,13,21…(nx+nx+1)…
The ratio of adjacent Fibonacci Numbers approaches the number 1.618 as the numbers approach infinity. This number has some very interesting characteristics and has been designated with the Greek letter F, phi. The number is as important in nature as the letter P, pi, is in physics.
The four kites near the center each lie at one of these ‘Golden Points’. Four kites lie at one half that distance from the edges and two lie at one quarter of that distance. The ‘reference’, or starting kite is the red kite in the upper left corner.
Each kite’s length follows the mathematical formula of 1.2X FXL, starting with X=0 where F=1.618, phi, the ‘Golden Number’ and ‘L’ is the ‘unit length’.
Regarding the number of kites. Consideration was given to the ‘magical’ numbers of 7 and 13. Seven would have implied ‘good luck’ while thirteen would have implied ‘bad luck’ so the number of kites was chosen midway between, or 10, implying ‘no luck’ but total intent.
To have used 7 kites would have eliminated the three largest which would have made the painting weak with too much open space. To have chosen 13 kites would not have allowed all the kites to be seen because there would have been three larger kites which would have overlapped and obscured the smaller kites.
As each kite’s length increased, the proportion of width to length (aspect ratio) was made decreasingly smaller so that the longer the kite, the narrower it became.
Each kite’s tail is equal to the length of the kite and is painted in the complementary color of the kite.
The string that tethers each kite is influenced by gravity so that it hangs in an arc, a ‘catenary’, descending from the attachment point of the kite to the ground and becomes progressively straighter as it nears the ground. All the kite strings would appear to be parallel to an observer on the ground but the kites are being viewed from an altitude close to the largest kites.
Being a physicist, how could I not paint this?
Coast to Coast
This abstract oil painting represents a sweep across the US from lower Manhattan and Battery Park in New York City to the California Golden Gate Bridge.
I spent my early chilhood playing in Battery Park at the edge of New York Harbor and much later I passed under the Golden Gate Bridge on a troop ship bound for Korea.
Wednesday, January 23, 2008
Sunday, January 20, 2008
Jamaican Hut
This was the first watercolor that I did on one of the early trips to Jamaica.
We had been going there for a number of years before I had considered doing anything other than eating and enjoying the sun and beach.
This is the resort at Club Caribbean, part of the Royal Decameron
group of worlwide resorts.
Outcrop
This is part of the fortification of the Revolutionary War
fort, Fort Griswold in Groton, CT.
The fort is situated on the east side of the Thames River
across from Fort Trumbull which guarded the west side of the river and the port of New London.
Both forts were taken by the British by Benedict Arnold's
troops after he deserted the American cause.